The Story Circle and the Lion King

I took my kids to see the Lion King recently and around the same time was reading about the Story Circle in Chris Fox’s book Plot Gardening. The whole idea of the Story Circle comes from Dan Harmon and ultimately comes from The Hero of A Thousand Faces by Campbell.

Dan Harmon says he’s used the circle so much he sees it everywhere. It’s tattooed on his brain. He’s also always analyzing stories.

So I thought I would try it with the Lion King. Here goes nothing.

The story circle has been described well at other parts of the Internet including by Harmon himself. However, I’m going to give it a shot so you can understand where I’m coming from with this analysis.

Imagine a circle, the movement of the story is clockwise.

Split the circle along the middle. The two halves represents a duality. Order and Chaos. Ordinary World and Special World. Consciousness and Unconsciousness. Life and Death. It is also moving from the ordinary world to the spiritual world. Also – moving between external forces. I found a whole list of dualities here. Some cool dualities:

  • fact and myth
  • strong and weak
  • attraction and repulsion
  • mass and energy
  • finite and infinite
  • mind and body
  • collectivism and individualism
  • idealism and realism
  • tangible and intangible
  • pleasure and pain
  • good and evil
  • reason and empathy
  • wealth and poverty
  • anarchy and authority
  • virtue and vice
  • moral and immoral
  • just and unjust
  • happiness and sad
  • war and peace
  • male and female

That link above also has a interesting quote from the Tao on Abstraction. Basically it says that the opposite helps define the subject. Especially in relative terms. Long is long compared to short.

Now split the circle from top to bottom. The right half represents the internal problem with the protagonist and the left half represents the change for better, e.g. going from selfish to unselfish, or stubborn to not stubborn. Look to the extreme of a character trait. It can’t just be a little bit of greed. It is moving from inner states.

Here is a good list of character traits. Here are some ones I like that seem common in story telling:

  • jealous v. trusting
  • fearful v. courageous
  • greedy v. generous
  • self centered v. considerate
  • arrogant v. humble / modest
  • lazy v. active
  • compulsive v. controlled
  • dishonest v. honest
  • angry v. calm, peaceful
  • aimless v. methodical, resolute
  • depressed v. cheerful, glad
  • narrow minded v. tolerant
  • narcissistic v. sacrificing
  • weak willed v. bold, brave
  • think also about the characters in The Wizard of Oz
    • Cowardly Lion v. Courage
    • Tin Man – Lack of Heart v. Empathy
    • Scarecrow wants brains, he’s dumb v. intelligence
  • and the Seven Deadly Sins
    • Pride
    • Envy
    • Gluttony
    • Lust
    • Anger
    • Greed
    • Sloth

Now with those pairs of halves. Bisect the circle into 8 parts. Going clockwise and starting from the top, number the lines from 1 through 8. These represent sign posts as follows:

  1. You – in a zone of comfort
  2. Need – you want something
  3. Go – Enter an unfamiliar situation & what the story is about, the terrorist attack, the contrast of worlds
  4. Search – Adapt to it, the road of trials, experiment, stripping away and moving to the deepest unconsciousness.
  5. Find – Get what you want, meeting with the goddess, greatest point of vulnerability,
  6. Take – Pay a Heavy Price, Meet your Maker, Take Control of Your Destiny, New Goal Created Here – Obiwan Dies
  7. Return – return to the familiar situation, Waking up – pulled out of extreme situation, return to rebel camp to plot
  8. Change – Change the world having changed yourself. Master of Both Worlds, life not the same, the showdown

A lot of this comes from A Hero with a Thousand Faces which I’m not going to get into here.

The Circle Can apply to any piece of the story including each character, the tone, theme. You want to have a circle for each character.

Now taking this and applying to the Lion King.

  1. Simba is born and hanging out with his dad. Introduce some characters, Nala, the Bird, the Monkey, and Scar. (I forget names.)
  2. Simba wants to be big and strong like his dad. He’s egged on by his uncle to dangerous situations.
  3. Simba thinks he kills his dad by starting a stampede. Scar convinces him to leave his home. He ends up in a new world.
  4. At first he is about to be attacked, then he finds friends and starts to adapt.
  5. He’s found happiness and belonging. He runs around his new home seemingly content.
  6. He learns that Scar has taken over the lands and destroyed them. He learns that he cant just run away from him problems and he has his dad’s courage.
  7. Simba returns. His uncle confronts him and makes confession about killing his dad. Simba uses new strength to escape Simba. The pride turns on Simba and he runs off. They battle again, Simba offers empathy, but Scar turns on him while betraying his bad buy friends – the hyenas – who turn on Scar.
  8. Simba and Nala have a baby and the circle of life goes on.

Lessons learned: Most of the stages seem to go as planned. At Number 4, the Take, we get a couple things bundled in that I might be doing wrong. When he learns about the destruction of his old home, he learns the cost of his actions. We also get the lesson from the Monkey and the spirit of his dad. In the return we get an extended sort of battle that wraps up the story threads. Scar versus the pride. Scar versus the hyenas. Simba reconciles the death of his father with the Pride.

So that’s the Lion King and the Story Circle. It works!

Starting again

I’m starting a new writing project and rethinking about how to start in the best way possible. Since the last time I started a longer project, I’ve read a number of books about everything from structure to character arcs. I’ve also ready books about the business of writing books. One thing that is true: there is always more to read. Another thing that is true: you have to write everyday. You cannot wait until you have read every book or analyzed every story that is out there.

In thinking about what I’ve learned, it is a good idea to start with a genre. That is like saying there is a market for what you are writing. At first I didn’t like this idea. It felt to money oriented. That is not what art is about right? It depends on your goal. Do you want people to read your book? To enjoy your book? To buy your book? Then you should think about a market. Who do you want to read you book? Everyone? Maybe narrow it down. Most, and probably all people don’t want to read a book describing your shoes. On the other hand, there are many many people who want to read about zombie apocalypse or epic sci fi adventures.

Most people read to escape. They don’t read for grand literary ambition. Most people don’t read to be educated. Likewise, people watch TV to escape, to get lost in a story, to identify with people. most people don’t want TV to get educated. Most people don’t want to watch experimental short films. This has been a hard lesson for me because I like reading and watching experimental stuff. I like punk rock and abstract art. I don’t mind if it doesn’t make total sense, as long as the artistic expression is high.

But after writing and submitting stuff, I sure wouldn’t mind if I had some people reading my stuff. Enjoying it. Buying it. Good old capitalism. The marketplace as a test of worthiness. It’s not always right but it is a test.

I also remind myself that a lot of very good respectable authors also wrote in genre.

So this time, I sat down and wrote out genres that I liked. I wrote out five genres like paranormal horror, espionage, noir mystery, thrillers, and gritty urban sci-fi. In doing the exercise, I started thinking about all those writers I love reading. Stephen King, Ray Bradbury, William Gibson and Neal Stephenson.

Another author I recently read that I enjoyed was James Patterson. I read Kiss the Girls. It was fun, fast faced, scary and engaging. I also watched his Master Class and found that also surprisingly enjoyable. I always dismissed him as a guy who wrote books to sell at supermarkets. There is definitely something to be said for the easy breezy writing style that pulls you in and compels you to turn pages.

After I picked the genre, I started doing market research. Basically, I did what Chris Fox says to do in his book Write to Market. I went to Amazon, looked at the genre category, look at the top 3 books and then a couple of books around the top 20 and a couple of books around the top 100.

I look at the sales ranking of those books. Some of them sold surprisingly well. I also noticed some trends. In the cyberpunk section, there seemed to be a trend about people playing video games, kind of like that movie by Steven Spielberg movie Ready Player One.

I didn’t see a book specifically containing the tropes I was interested in. I don’t know of that is a problem or maybe a sign my idea is dated?

Either way, market research and genre choosing is done for now.

Metrics for Writers

If it can’t be measured. It can’t be improved. I believe the management guru Peter Drucker said that. It isn’t limited to business either. Some people also believe that science is only about things that can be measured. Well what about the arts?

There is no measurement for what is good writing. There is no measurement for a strong plot or interesting characters. You wouldn’t need critics if that was the case. Interestingly, there is a measurement for clarity in writing. For example the Flesch formula measure of readability. I believe it is built right into Microsoft Word so that you can see the difficulty or grade level of your writing ease.

Some argue that the way you get better as a writer is output. Just write more. And read more. There is a story about a ceramics class in the book Art and Fear. It goes something like this: On the first day of a ceramics class, a teacher offered students to be graded by the weight of their pottery output or the perfection of a single piece. Of course, the students who tried to make one single perfect piece couldn’t compete with the students that made tons of pottery and by the end had mastered the materials and techniques.

meeting my quota

Often people say you should have a writing quota everyday. The problem I have with that is does revision and editing count for the writing quota? Brainstorming and outline? Aren’t those all important to the writing process? Where am I supposed to fit in time for submitting and researching markets for my writing? Has anyone successfully outsourced that submitting and researching using a service like Upwork? Questions I should look into later.

For now, I was brainstorming metrics for a writer beyond just writing everyday. Something I can measure for myself, compare to my past self, and plan for my future self. Here are things I want to measure:

  1. # of short stories finished
  2. # of novels finished
  3. # of blog posts finished
  4. # of scripts finished
  5. # of book read
  6. # of finished pieces submitted
  7. # of rejections collected
  8. # of acceptances
  9. # of stories, novels, or scripts analyzed

What other metrics are out there?